Feeling Stuck…

7.4~7.8

I’m currently having trouble defining the change in my project.

I’m uncertain how fantasy and magic tricks can create new change in both areas because performances such as this already exist, and they already create excellent change in this world.

I have tried to pick out a specific group of stakeholders to specify the change, such as Chinese high school students(which is the group of stakeholders for the intervention on May 13th, where I created a dystopian world based on current reality in the Chinese education system). But it detoured my project to education rather than fiction, which caused huge confusion in my audience.

I am trying to plan for interventions but finding it hard to take action because the research question hasn’t been completely defined. I’m currently planning out interventions on fantasy and magic tricks separately, and try to piece them together like jigsaw puzzles in order to create something new.

Jordan Peterson once said, “You’ll have to sacrifice the pluri-potentiality of childhood for the actuality of a frame.” I think it is similar with projects. When starting a project, I really enjoy the endless potential and as time went on, have spent too much time mourning the fact that I could only choose one area to work on. It will happen whether we want to or not, and the main difference is whether I choose this limitation in time, or let it get take me unaware.

But I’ve already chosen my limitation. I’ve identified as a writer of fiction and comic artist, specifically on the area of fantasy. What stumped me was that, I don’t know how fantasy can create change, new change, to this world. And that was why I kept adding elements to it that was inside my comfort zone, like result-based education, because I was a student in the majority of my life.

I’ve had a paralysing fear because I was unable to define the change of my project and therefore since the start of independent study, I was hesitant, even unable, to create interventions. However I needed to undertake one soon to get the project out of a stalemate.

4.19/4.27/5.10/7.3 magic workshops

I have also been in touch with several magicians based in London via a magician’s workshop. According to them, magic isn’t as entertaining if you perform magic alone, you have to weave a story or a narrative into it to actually attract an audience. Requoting Derren Brown: “Magic is a great analogy of editing reality and forming a story and mistaking that story for the truth.” It is quite a valid way of storytelling.

6.16~6.21 Pre-Intervention

I have contacted an expert on worldbuilding and have told them 2 of the fictional stories I created. Their reaction was to immediately come up with 2 storylines to broaden the story further.

I want to emphasize that, if we view this interaction as an intervention, sharing my comic to a worldbuilder does “create change”, because they came up with brand new ideas because they saw my work. The evidence is shown in the pictures.

Story Link:

Redefining My Research Question

Recently I have been feeling quite lost in the way I convey my project and felt the need to redefine my research question. I had trouble with identifying the focal point of my topic, failed to address my topic in a clear and succinct matter, and conveyed it in a wrong way. I’m redefining it right now in order to gain evidence and feedback from the area that I had always intended it to.

6.14 about education

For my project, result-based education acts as part of the “compost heap” in the mind for me as a writer/creator of fiction.

For my intervention on May 13th, I created a fictional, exaggerated version of results-based culture. My aim is NOT to create change in the structure of the Chinese education system(it’s impossible). It’s to use the negative experience of an individual to create something beautiful. A piece of speculative fiction like Black Mirror is only going to reveal an incident to possible stakeholders rather than change the incident itself. But revealing as an action does create change.

The intervention does provide evidence to a research question, but not the research question that I chose before. I need to doublecheck the function of interventions and the specific field that I want to change.

Research Question updated up till now: How can we measure the impact of fantasy-based fiction?

A project on fiction, unlike a design project, doesn’t have stakeholders in a particularly focused field, and the impact it creates is relatively intangible. It inspires change in individuals rather than creating tangible change itself.

Yoko Ono Exhibition(not technically useful but recorded just in case)

Went to see Yoko Ono’s exhibition at Tate. I personally didn’t really chime with her way of performing but I really loved one of her works——Bag Piece. Because I truly felt nameless and without identity in that bag.

Being in an interdisciplinary background, I found it hard to pick a specific field and harder to link all the fields that I had an interest on together. Which is an area that I need to work on.

Case Studies about Narratives

Oh, He’s a JOURNALISt…

This story contains overlapping narratives about different people editing a real incident and turning them into a piece of news on the media for their own benefits.

nYE
One man’s dream of the NHS

From campaigning at the coalfield to leading the battle to create the NHS, Aneurin ‘Nye’ Bevan is often referred to as the politician with greatest influence on our country without ever being Prime Minister.

Confronted with death, Nye’s deepest memories lead him on a mind-bending journey back through his life; from childhood to mining underground, Parliament and fights with Churchill in an epic Welsh fantasia.

Michael Sheen (Under Milk Wood) is Nye Bevan in this surreal and spectacular journey through the life and legacy of the man who transformed Britain’s welfare state. It’s written by Tim Price (Teh Internet is Serious Business) and directed by Rufus Norris (Small Island).

Fiction and Belief: Revisiting my BoU

Requoting Narnia from my BoU:

In the story, Puddleglum would believe in Aslan and the world he came from even if he’s in a world where neither is real.

Puddleglum’s words were the “Ontological Proof” in a form suitable for kids.

An example of Ontological Proof from from Ontological Proofs Today by Miroslaw Szatkowski:

Fantasy creates belief in its audience. It inspires change for different individuals.

3 septembers and a january(the sandman)

This story comes from the Sandman, and is a very inspiring tale about the story of how believing in a fantasy can change a person’s actions. I regard this story as secondary research because it has a true background story.

Joshua Abraham Norton, a resident of San Francisco, arrived in 1849 and thrived as a businessman. However, a failed attempt to monopolize the rice market led to financial ruin. In 1859, following this misfortune, Norton declared himself “Emperor of the United States.”

Despite lacking official power, San Francisco embraced Emperor Norton’s eccentricity. He received courtesies like free travel and meals, and even his self-proclaimed currency held value in some shops. While some viewed him as odd, others found amusement in his pronouncements and enjoyed his presence.

Emperor Norton’s reign may have been unofficial, but his impact was real. He became a beloved local figure, immortalized in the works of literary giants like Mark Twain and Robert Louis Stevenson. His story serves as a reminder of San Francisco’s unique character and its embrace of the unconventional.

https://en.wikipedia.org/wiki/Emperor_Norton(from Wikipedia, will find reference on this later)

Reflections on Dragon’s Den

Dragon’s Den was a very fruitful experience. I gave a brief 5-min-intro of my project to the 2 Dragons, and they pointed out that the psychological impact of my most recent intervention(the Ministry of Potential) didn’t provide direct evidence to my topic.

However, the presentation on Dragon’s Den was the first time where I felt that I had the 3 different areas in balance, and more importantly, could explain the narrative of the project thoroughly to an audience. This is concrete progress for me as a writer and artist.

My question up till now is: How can we disrupt the psychological impact of result-based education on current and former students?

My main issue now is the cycle of research and interventions. I need a more logical link between my topic, the research that backs it up, and the interventions that fuels the research.

The Content of Dragon’s Den

Going to upload the most recent changes of my project in a few days. The content below is the presentation I gave for Dragon’s Den on Jun.4th, 2024.

P1
[WHAT]&[WHY]
My topic focuses on 3 areas, fiction, psychology(mental health), and Chinese (education) systems.

I’m aiming to write a story, a tale that deprogrammes result-based education. Or disrupts the psychological impact of results-based education.

There’s a phenomenon in the education system in China which focuses on labelling an individual based on the results of tests and exams, (the Chinese version of “teaching to the test”)and it has severely damaged the mental health of current students,
and it doesn’t stop after we graduate, result-based education fuels a continuing belief inside us and we project it into whatever environment we enter after school, which could do huge impact on how we choose our workspace and families and life basically. It’s almost a religion in China, a Religion of Results.

P2
[WHY]
I want to address this phenomenon from the perspective of fiction.
(’cause I find that my own experience in a result-based education background has a very 1984 quality to it)(a lot of things that I thought was normal when I was immersed in that narrative were almost gruesomely absurd when I looked back on that narrative from a God’s Eye view)

Any system that labels an individual casts a fictional shadow on them. In this project, students think their work/their grades define their whole personality.
Ppl are psychologically affected because they are taught to believe that this fictional shadow in that narrative is who they actually are.

In Chinese high schools, students live in a reality based on test results, ranks and they think their future is solely depended on that.
This psychological state is the by-product of a system that pushes society forward. Really successfully actually.

See, a system, any system contains a degree of order. Like this one. When this order causes pain to the individuals within it, even though it is beneficial in macroscopic terms, we’ll need to do sth to disrupt this order.
Which is the goal of this project.

P3-5
[HOW]
The first stage of this project is to create a fictional world based on this reality(which is the education system).

In the background of this world, there is a Ministry that promises fame, money, anything you want if you get in by taking a test.
(Next page)


The audience immerses into this narrative with their mindset already accustomed to the order of results(They take the test) This mindset is disrupted when they discover(by themselves or by me telling them) that it is actually a puzzle in the shape of a test.(original idea from the Mysterious Benedict Society)

The test consists of questions that has answers in another question. I’m aiming to disrupt the idea inside ppl’s heads of learning solely for the results.

P6
(At this stage I’m currently exploring the interactive part of storytelling.)I personally prefer interactive storytelling because it allows the audience to be part of the story. And that in my opinion will make greater impact.


The next step is to tweak the media of fiction I use to give my audience a more immersive experience.

I’m really inspired by psychological experiments like Stanford Prison and the Third Wave Experiment, because they succeeded in /actually creating an alternate reality /and convincing participants to believe in that reality.

I’m aiming for my project to create an alternate reality as believable as that.
Ultimately aim to disrupt that order which is instilled inside our heads.